Bait, the breakout masterpiece that won Jenkin a Bafta, is a raw and riveting portrait of a Cornish fishing village caught between tradition and gentrification. Enys Men pushes further into the ...
Erick Massoto is a Brazilian writer who's always loved film and TV and loves finding connections between them. That's why he supports double features, especially if they are of a modern film paired ...
In Enys Men – the much-anticipated new film written and directed by Cornish filmmaker Mark Jenkin, whose last feature, Bait (2019), earned him a Bafta for Outstanding Debut – a woman in walking boots, ...
Perhaps it might help to explain the pronunciation of Enys Men (now on Hulu) before attempting to dive into any of the film’s mysteries. In Cornish, an extinct and revived language from the film’s ...
Add Yahoo as a preferred source to see more of our stories on Google. It follows a woman, named only The Volunteer (Mary Woodvine), who is stationed on a remote outcrop (the film’s title is Cornish ...
Time keeps on slippin’, too, in Enys Men, an unusual 16mm dabble in folk horror that arrived a couple of months later still, hitting theaters in March. The film is set on an isolated English island ...
The title is Cornish for “Stone Island,” a forbidding slab of land located off the coast of England’s southern tip. The year is 1973 — the same horror-cinema annus mirabilis of The Wicker Man and ...
"I can either pull focus, or I can move the camera." Opening in select art house theaters this week is Enys Men, a one-of-a-kind, chilling experimental horror film made by Cornish filmmaker Mark ...
Mark Jenkin’s 2019 film Bait had the rare distinction of being a genuine out-of-the-blue discovery, featuring heavily on UK critics’ year-best lists after a modest arthouse release by the BFI. The ...
"Bait" filmmaker Mark Jenkin returns with an experimental tale of loss that is grounded by impeccable and time-honored technique. A woman walks along a clifftop towards a stone cottage, the only ...
A woman goes crazy on a remote 1970s island in gloriously psychedelic 16mm in Mark Jenkin's less satisfying follow-up to 2019's 'Bait.' Shot by Jenkin himself, who also writes, edits and scores, the ...
Rachel is a contributor at Collider who specializes in the horror genre. She was raised in Atlanta and moved to Colorado in 2016. In 2022, she graduated from The University of Colorado Boulder with a ...